Our lead up to Zelda

There have been too many women in history to count, who battled with oppressions, dilemmas and discrimination. The appreciation of these women, especially in today’s society looking back, makes it even more incredible to what lengths these inspirational women went too to have their thoughts heard. When first deciding on our performance topic, we had the intention of using a number of influential women in our piece, creating a scenario whereby all these women would meet. With this in mind, it was incredibly hard to choose only a few women and then make a relation between them to make the performance interesting yet respectful. The list was shortened to six women. These were: Amy Winehouse, Eva Braun, Zelda Fitzgerald, Jackie Kennedy, Lili Elbe and Myra Hindley. Although not all of these women were inspirational or even likable people, they were complex. They had the promise of vibrant and thorough material. However, this was the main problem.

All these women, intriguing and unique in their own right, had too much to give when devising a piece of drama. Furthermore, even the most well-known women on the list, such as Jackie Kennedy, did not necessarily mean the audience would know their back story. This being events and moments that turned them into the people we know today. Therefore, the performance would have been mostly an explanation to who these women were instead of who they became. Thus, the performance would not have given these women justice of thorough examination into their world. Therefore, we decided to narrow down the list to only one woman. With a lengthy debate, we decided that we wanted to celebrate a woman that was not too modern, and that was undervalued and underrated. This led us to the life of Zelda Fitzgerald.

Zelda Fitzgerald, as the American socialite, was known widely in the 1930’s as a fabulous party host and, more importantly, F. Scott Fitzgerald’s wife. The successful writer, known best for his novel The Great Gatsby, based a lot of his main character Daisy on his wife, Zelda. Furthermore, he used old diaries and letters from the early courting of their romance to inspire his work. Therefore, he used her greatly in his work, making her his muse.

However, to society, Zelda was seen as a distraction or disturbance to Scott. Countless reports showed Zelda to be a flirt with men and a trouble maker, drinking and partying till the early hours of the morning. Nevertheless, it was not discovered until after her death, the turmoil and distress she was under, mostly due to her mental illness, bipolar. Unfortunately, due to the times in which Zelda was brought into, bipolar was not a discovered mental disorder until twenty years ago. Therefore, she was misdiagnosed with Schizophrenia. On top of this, she was thought to have miscarriages, postnatal depression, and an affair with a French airman and a love/hate relationship with her husband. All of these moments in her life were due to or affected by her mental illness of bipolar.

This was why we chose her instead of another influential woman. Even though Zelda had come from a world of wealth, she did suffer the pressures of society with an undiagnosed disorder. At the time of her life she was seen as erratic and, in her later years, a danger to society.  Her behaviour today would be identified as different but treated correctly in modern day practices. This inspired us to explore the illness and to how it affected her in day to day life, but more importantly, how she coped with it.

Character Development

Today, we have decided that a few things in the performance needs to be developed. Character development is needed both physically, vocally and emotionally. We need to carry Zelda and the other characters, in every aspect of our physicality, by the way we walk, the way we stand right to our fingertips to our toes, every aspect of our physicality on stage needs to have meaning and objectives for how we are moving and talking to other characters on the stage. To develop the physicality in my performance, I will go over the script and collect as much details from my characters, such as writing lists of everything my character says, what other characters say about them and experiment with movements that I think work best to show how Zelda carries herself, how she moves when she is happy, upset or frustrated. I will also create actions and objectives for every scene that I am in, understands what my character wants and how I am going to achieve it and how I will overcome certain obstacles that get in the way. I will use the John Abbot book on acting to develop my character. 

‘Real people are moulded by a lifetime of experience, so in order to make a character truly believable, the actor has to think about that person’s life outside the confines of the play.’ (Abbot, 2012. P.86). I will continue  research as much as I can between now and the date of the performance on everything I can find out my character, this will include reading over the biographies, creating objectives, obstacles, actions for my character and reading F. Scott. Fitzgerald’s novels.

 

Works cites:

Abbott. (2012). The Acting Book. London. Nick Hern Books.

 

Life is too short to have boring hair

Yesterday, we decided to try out hair tutorials for the styles that Zelda Fitzgerald would have worn and styled throughout the iconic moments of her life. As one member of the creative designer, I researched Zelda’s style and hair and makeup styles from iconic film stars of the period to bring inspiration. The hairstyles need to be fashionable and glamorous, because as we know, Zelda Fitzgerald set the fashion for the decade. The ‘flapper girls’ in the 1920’s, bobbed their hair and raised their skirts, they painted their eyes and lips as dark as possible and looked as though they had just appeared from a movie set. We wanted to achieve a glamorous, sophisticated look without it costing too much or it being too difficult for us to achieve on the show day.  The hair styles that we chose to try out all indicated the height of fashion for the decade, with hair bobbed and styled around glamorous headbands. We used tutorials from YouTube  to achieve the look and practised on what worked best.  The hair was very easy to achieve, it just took a lot of bobby pins, hairspray and concentration! With more practice, hopefully we can achieve  a longer, lasting look for all five Zelda’s!

Here is an image we used for inspiration:

great gatsby hair tutotialOliveandivyblog.com (2016). Easy 1920’s Great Gatsby Hair Tutorial. Online Resource. Available from: https://www.google.co.uk/search?q=1920’s+hair&hl=en&source=lnms&tbm=isch&sa=X&ved=0ahUKEwiPpJmeqcDMAhUCIcAKHWkiA0MQ_AUIBygB&biw=1920&bih=1105#hl=en&tbm=isch&q=1920%27s+hair+tutorial&imgrc=IvQrDHeG1tWpqM%3A [Accessed 4th May 2016].

Here are the results from our first attempt:

KATE KELLY KATEHANNAHKATE KELLYMEGANKATEABI

If you would like to create this look for yourself, here is a link to the tutorial I used:   https://www.youtube.com/watch?v=n2Tqany08T4

 

“You write because you have something to say” F Scott Fitzgerald

This post is dedicated to my incredible Theatre Company.

I have recently been going through a difficult time due to a family bereavement and have needed some time and space to grieve. It has made me unable to complete my job to the standard which I would like too but I have been lucky enough to be blessed with such supportive friends and company members.

During my absence my company took it upon themselves to ensure the project still continued and fulfilled all their various jobs roles to the highest of their capabilities. They were able to keep me informed without being intrusive and have maintained our high standard of work.

Ultimately I just want to say a massive thank you to all of them for being equally my wonderful friends but also my professional colleagues.

8. April Ticket Sales.

Event Sales Report

When tickets were first made available to purchase from Lincoln Performing Arts Centre, I got in contact with Phoebe Wall-Palmer, the Box-Office Co-ordinater. I had undertaken a shadowing placement with Phoebe in February where I learnt about her job, including the analysis of ticket sales. She kindly agreed to send me a weekly Event Sales Report for Love First, Live Incidentally, so that I could check how our ticket sales were going each week, and also analyse how our marketing was affecting the sales.

 

Whilst the capacity of LPAC is 444 seats, only 180 seats our available preliminary to ensure the audience is all seated together at first. With this in mind, our first target audience number is 180. Our ticket sales since tickets for the show were made availiable are as follows:

Ticket Sales 031516
A line graph showing the increase of our ticket sales from when tickets were first made available. (Langer, 2016)

4th April: 3 tickets sold, with 1% of the capacity filled.
11th April: 7 tickets sold, with 2% of the capacity filled.
18th April: 7 tickets sold, with 2% of the capacity filled.
25th April: 19 tickets sold, with 4% of the capacity filled.
2nd May: 29 tickets sold, with 7% of the capacity filled.

As can be seen, there has been a slow increase in ticket sales over the beginning half of the month of April. The week beginning the 4th was when we had our pub quiz fundraiser, and the week after that was when we had our bake sale fundraiser, which may have affected the increase in ticket sales as we promoted our show alongside the events. As we get closer to the day of the performance, it is likely that more of our audience are feeling inclined to buy tickets, which may be why there is a sudden increase over the last two weeks. As currently we have been relying on social media marketing and word of mouth to sell tickets, we can hope that once our virtual marketing of flyers and posters have been distributed around LPAC and the rest of Lincoln that sales will go up even further.

 

Works Cited:

Langer, M. (2016) Love First, Live Incidentally Tickets Sold line graph.